Merovingian and Marginalia

-
The warrant I did when I finally got to pass off the baronial A&S champion title, done in my new favourite hand, merovingian, which I learned in a class taught by the lovely Anne Elizabeth Morley.
I'm working on my placement and paper usage so I needed to use up some of the blank space, but the only competitor has visual impairments.  I didn't want to put a ton of fiddly painted details that they might not be able to appreciate.
Instead I adapted an extant marginal soldier with a flower to a naalbinder, which was the new champion's discipline.  It's simple, high contrast, and wonderfully quirky like the new champion.
Even though there was only one competitor, I still blurred out the name on this file. 😅  But it still wasn't a guarantee that they'd be the new champion so...

Comments

Post a Comment

Popular posts from this blog

Back on my bullshit

-
Image
 It has been a minute!  Been distracted with looking for work, eventing season, the world descending into madness... So have a fun scroll I did a for a friend awhile back.  She has an Italian persona so I went a little overboard with what's essentially a step above a thank you card.  Note the entire map of Italy in the capital complete with an orca!       In progress capital that was ~1.25 inches square   The border is based on a prayer book from Milan ca. 1430 ( MS M.944 fol. 19v ).  The capital is also based on a 15th C. example, but I can't remember the exact source.  
Read more

Eleonora di Toledo's Stockings Replicas

-
Image
A friend with a late period Italian persona was elevated and so I decided a mere two months beforehand that I was going to knit her replicas of the silk stockings in which Eleonora di Toledo was buried in 1562. I had no real goal in mind other than pretty silk stockings that were reasonably historically accurate. As they’re very well studied, I looked at patterns drafted up by other re-enactors, such as Dame George Anne of Æthelmearc OP, and compared them to high resolution photos of the originals as well as Richard Rutt’s section on them in A History of Hand-knitting . The modern interpretations were accurate for my purposes as I intended to shape them to fit the recipient rather than making carbon copies, although I did mix methods and came up with my own version. Looking at commercial yarns used by those who’ve knitted them before, I went with Ashford Silk 20/2 since it was available at a local yarn shop. The silk was undyed and the recipient’s favourite colours were silver and pur...
Read more